WhatFinger

Meanwhile it’s not the lifeless vulgar statues planted on city sidewalks that citizens should fear, but the living, breathing statues-in-their-head ones who walk the streets of Washington, D.C.

Racist Anarchists want hatred for ‘Orange Man’ Donald Trump


By Judi McLeod ——--August 19, 2016

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It’s worthy of note that the anarchist group INDECLINE--which unveiled life-size statues of Republican presidential nominee Donald Trump in the nude on Thursday, in New York, San Francisco, Los Angeles, Cleveland and Seattle--bears the same name as the state that their über heroine Hillary Clinton’s health is currently in--“IN DECLINE!” Marxist projection, its most recognizable signature, is predictable, ongoing and always willing to publicly mock the enemy by polarizing it, Saul Alinsky style. Until the anarchists discovered him, Trump nude statue creator, Las Vegas-based artist ‘Ginger’--whose identity is being protected by the Washington Post--designed monsters for haunted houses and horror movies.
According to the Post:
“In addition to doing makeup for a Busta Rhymes video, Ginger’s résumé includes another source of great pride for the artist: He’s a regular keynote speaker at haunted house conventions across the country. (We checked and, yeah, they’re a thing.)
This time the regular keynote speaker for haunted house ‘conventions’ left obscurity behind in the creation of 80-pound statues whose subliminal message is really that only a woman--and one woman at that--is fit to be America’s next president, even though the orders she follows originate from a male president who counts on her for his third term in office. Ginger apparently cares not a fig that no ‘monster’ created by him could ever hold a candle to the real life monster that Hillary Clinton, coming down the pike, truly is. With nose-out-of-joint ‘progressives’ aiding and abetting them, money, personal property and truth are not issues for anarchists of the day. It would take pockets deeper than those of starving artists to ship five, 80-lb. statues across the country to their welcoming cities. We know as evidenced by their vulgar artwork that they would have to rely on Uncle Sugar, or on Uncle’s appointed sugar daddies to pay for their creations.

The Democrats and mainstream media have been doing everything possible to poison the masses against Donald J. Trump. On Thursday, they decided to try to emasculate him in a ‘masterpiece’ depicting him without most of his ‘junk’. Age and skin color were the finishing touches on their sidewalk displayed artwork.
“The goal was to give him the slightest hint of a scowl — a “constipated look” — that hinted at Trump’s implicit frustration with contemporary America, Ginger said. “He has a very distinct little mouth, the way his chin meets the jowl, it had to look right,” he said. (Washington Post), “Also challenging was figuring out how to create unsettling body parts in a realistic fashion, a process that required extensive online research. “If somebody were to look at my browser history, it would be a little disturbing,” Ginger said. “Turns out there’s not too many Google results for ‘saggy old man butt.’”  “The artist who created the statues said they weigh 80 pounds each and required four months to create. “Included in the statues are subliminal jokes carved into the texture of the statue’s skin, he noted. “On the right hand, the statue version of Trump is wearing a Masonic ring, a piece of jewelry emblematic of privilege, secret handshakes and cloistered groups of powerful people, the artist said. “Each statue weighs 80 pounds and was glued to the ground using industrial strength epoxy, an adhesive that dries within several minutes.”

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Saint Ginger, the Sanctimonious!

And the trajectory of Ginger’s political landing, taking him all the way from Trump to Clinton, is more surrealistic than his ‘monster’ creations.
“When Ginger began the process, he said, he was actually considering punching his ballot for Trump in the general election because the candidate’s message resonated with the middle class. The more familiar he became with Trump, however, the more that familiarity bred contempt. “Starting on the project and looking at his face day in and day out when I’d come home, I began to build up some resentment,” Ginger told The Post. “The straw that broke the camel’s back was when he made fun of the disabled reporter from the New York Times.” “I have family members that are physically and mentally handicapped and who need different types of care,” he added. “When I saw what he did, I was in such a rage.” That rage, he said, is one of the reasons he won’t mind seeing the statues destroyed by police or dismantled by angry Trump supporters like a silicone piñata.”
Saint Ginger, the Sanctimonious! Over brewskies and selfies last night bars, the anarchists who promote Ginger were already taking bets on their Trump without junk work of art. How long would they attract pigeons in their street theatre city sidewalks where they were placed?
“In fact, INDECLINE members have placed bets among themselves about which city will destroy its statue first. Right now, the suspicion is that San Francisco’s Trump will remain intact the longest, with local lefties coming to its rescue, the group’s spokesman said.” (Washington Post).
In an era where only Black Lives Matter, never orange or white ones; where Transgenders , or their political organizers, making having just been born heterosexual male a crime of the times, count on Ginger’s statues being around until after November 8. Anarchists want all who see the statues to whip up rage against what they publicly identify as the “orange man”. Racism applies to only one color. Meanwhile it’s not the lifeless vulgar statues planted on city sidewalks that citizens should fear, but the living, breathing statues-in-their-head ones who walk the streets of Washington, D.C.

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Judi McLeod—— -- Judi McLeod, Founder, Owner and Editor of Canada Free Press, is an award-winning journalist with more than 30 years’ experience in the print and online media. A former Toronto Sun columnist, she also worked for the Kingston Whig Standard. Her work has appeared throughout the ‘Net, including on Rush Limbaugh and Fox News.

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