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Robert Laurie , Bio and Archives--August 1, 2016
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The Macarena was a mid-nineties triple threat. Not only was it a terrifying assault on the very concept of music as art, it also took aim at dance - and the dignity of those who succumbed to its horribleness. It was, to be blunt, a weapon of mass taste-destruction launched from Spain against the rest of the world.
No one was safe. It didn't matter if you were in a wedding, a theme park, a restaurant or an office building; you were in the line of fire. Like a nuclear detonation, efforts to duck-and-cover were doomed to failure.Ok but the 1996 DNC was lit pic.twitter.com/nuHp1lBND8
— Jesse McLaren (@McJesse) July 29, 2016
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