In 1955 when I was graduating from high school, Allen Ginsberg, the now celebrated poet, was writing “Howl” and on his way to joining the handful of writers who would become known collectively as the “Beats” and icons of the “beat generation.” It was and still is hokum.
The lives of Ginsberg, Jack Kerouac, William S. Burroughs, and others in their circle included drug addiction, alcoholism, homosexuality, and an adolescent self-involvement that translated itself into their writing and, as they burst on the cultural scene in the latter 1950s, helped to shape it, and set in motion changes in attitudes and behavior that are with us today.
At the time I regarded all the discussion of their writings as rubbish. In college I read Kerouac’s novels, “On the Road” (1957) and “The Subterraneans” (1958) and thought of them as little more than embellished diaries written by someone without enough imagination to invent characters, basing them on his fellow “beats” such as Neal Cassady and having little in the way of a plot. William Burroughs wrote about his life in “Junky” and “Naked Lunch” showcasing what he called “the most horrible things I can think of.” Ginsberg, a homosexual, poured his ramblings into “Howl”, published in 1956. It was the kind of poetry that a real poet, Robert Frost, referred to as “playing tennis without the net”; prose masquerading as poetry.
All this is captured in a new book by Ronald K.L. Collins and David M. Skover, “Mania: The Story of the Outraged and Outrageous Lives that Launched a Cultural Revolution.” ($26.00, Top Five Books). The authors spent more than eight years researching and writing the story of a group of people, most of whom would fade into anonymity, but who played roles in the fevered drug and alcohol addled minds of the now famed “beats” who were said to reflect the angst of their times and their post-war generation, as they come of age in the 1950s.