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Western and Christian institutions ignore all this and continue to portray Tayeb and Al Azhar as "moderates."

All Art Is “Immoral,” Says Egypt’s Top—and “Moderate”—Cleric


By —— Bio and Archives--March 10, 2017

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Coptic Solidarity

Art has a largely negative impact on human morality.  So says Sheikh Ahmed al-Tayeb, the grand imam of Egypt’s Al Azhar madrassa and arguably the “most influential Muslim in the world.”

In a recent televised interview, Tayeb was asked “To what degree does art influence the morals of the youth.”  The sheikh responded that art—presumably all forms and expressions of art, as no particular form was specified—has a 90 percent influence rate on the morality of the youth; and all of it is bad.

What is of note here is that, once again, Tayeb responds in a way that one is hard pressed to differentiate from the “radical” response.  For we are constantly hearing that it is the “radical Muslims”—the ISIS types—who condemn all forms of art.  Yet here is the “moderate” making essentially the same claims.

But of course, this is nothing new.  As documented here, Tayeb agrees with any number of “radical” views: he believes that Islam is not just a religion to be practiced privately but rather is a totalitarian system designed to govern the whole of society through the implementation of its (otherwise human rights abusing) Sharia; he supports one of the most inhumane laws, punishment of the Muslim who wishes to leave Islam, the “apostate”; he downplays the plight of Egypt’s persecuted Christians, that is, when he’s not inciting against them by classifying them as “infidels”—the worst category in Islam’s lexicon—even as he refuses to denounce the genocidal Islamic State likewise.

One can go on and on.  Tayeb once explained with assent why Islamic law permits a Muslim man to marry a Christian woman, but forbids a Muslim woman from marrying a Christian man: since women by nature are subordinate to men, it’s fine if the woman is an “infidel,” as her superior Muslim husband will keep her in check; but if the woman is a Muslim, it is not right that she be under the authority of an infidel.  Similarly, Western liberals may be especially distraught to learn that Tayeb once boasted, “You will never one day find a Muslim society that permits sexual freedom, homosexuality, etc., etc., as rights.  Muslim societies see these as sicknesses that need to be resisted and opposed.”

Also not new is how important Western and Christian institutions ignore all this and continue to portray Tayeb and Al Azhar as “moderates.”  Thus, despite all the above—despite the fact that Al Azhar encourages enmity for non-Muslims, and has even issued a free booklet dedicated to proving that Christianity is a “failed religion”—it was rcently announced that “The Vatican and Al-Azhar University, one of Islam’s most renowned schools of Sunni thought, will be joining forces to discuss how to fight religious extremism that uses God’s name to justify violence.”

Such are the mockeries of our time as ugly reality continues marching unopposed.



Raymond Ibrahim -- Bio and Archives | Comments

RAYMOND IBRAHIM (RaymondIbrahim.com) is a widely published author, public speaker, and Middle East and Islam expert.  His books include Crucified Again: Exposing Islam’s New War on Christians (2013) and The Al Qaeda Reader (2007). His writings, translations, and observations have appeared in a variety of publications, including Fox News, Financial Times, Jerusalem Post, Los Angeles Times, New York Times Syndicate, United Press International, USA Today, Washington Post, Washington Times, and Weekly Standard; scholarly journals, including the Almanac of Islamism, Chronicle of Higher Education, Jane’s Islamic Affairs Analyst, Middle East Quarterly, and Middle East Review of International Affairs; and popular websites, such as American Thinker, the Blaze, Bloomberg, Christian Post, FrontPage Magazine, Gatestone Institute, the Inquisitr, Jihad Watch, NewsMax, National Review Online, PJ Media, VDH’s Private Papers, and World Magazine. He has contributed chapters to several anthologies and been translated into various languages.

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