Zemeckis' Allied, his telling of a couple of World War II spies who fall in love and start a family back in England, sees him recreate the world of the day beautifully via his typical use of digital effects
Robert Zemeckis has made a lot of interesting and innovative movies during his decades-long career and he has also pushed the state-of-the-moviemaking-art during that time.
I don't think he's had a huge hit like he did with Forrest Gump, the Back the Future trilogy or Who Framed Roger Rabbit (among others) in a while, perhaps since Cast Away at the turn of the century, but you can always rely on him to push the cinematic envelope in one way or the other, and his films are always entertaining as well.
He's also the guy who pushed the 3D IMAX envelope, starting with the exquisite The Polar Express, which means that such famed movie tech visionaries as James Cameron are really standing on his shoulders.
Zemeckis' Allied, his telling of a couple of World War II spies who fall in love and start a family back in England, sees him recreate the world of the day beautifully via his typical use of digital effects. The film is a bit of a change of pace for him as well: a romantic drama that's laced with more "F-bombs" than I can remember from any other Zemeckis film I've seen.